Four ways of seeing

Four staff from the Tavistock and the IGA with a passion for painting

Andrew Cooper    Pary Jeram Kim Raftopulos  Margot Elke Schiemann 

From 11th January until 8th February 2019

 The Tavistock Centre Library Corridor 120 Belsize Lane London NW3 5BA

Margot Elke Schiemann

In this study of light and darkness, I experiment with mixed media. Images with a basis in watercolour or photography show different aspects when printing or collage is introduced.

Creativity is a direct response to life, and a search for adventurous living.

Artists’ journeys are usually filled with struggles, attachments, losses,  passion, love and joy. In art, we bridge the experiences of our inner worlds with perceptions of external realities. A third experience is born, of visual ideas communicated intuitively.

We all have creative potential and can be creative in many areas of life, not only related to the arts.

 

IGA’S WINTER EXHIBITION

‘Transitions’ · Margot Elke Schiemann

2nd February to 6th April 2018

Institute of Group Analysis
Daleham Gardens, London NW3 5BY

To view the exhibitions please make an appointment with the IGA

T: 0207 431 2693 e: Lykke@GroupAnalysis-UK.co.uk

This exhibition, with a 4 minute video, is entitled ‘Transitions’. My interest in this theme arose from observing my own transitions and those of other people. The aim is to illustrate stories of Impermanence, reflected in the seasons in nature and cycles of life. 

In one of my trips to the country with artist friends I was fascinated by the vibrancy of a red maple tree. You may find the colours in May are full of life and hope. I began to decorate this tree with red and pink ribbons that moved in the wind - a playful and meditative experience. I call this nature installation ‘Maple Tree celebration’. Related to this, I saw an exhibition at the British Museum which explored how death is thought about in different cultures. The shop opposite this exhibition sold painted wooden skeletons. I took a photo, with the skeletons in the foreground and a group of people in the background. I called it ‘Death for £13.99.’